Maria Pininska-Bereś

Maria Pininska-Beres, Punkt obserwacyjny zmian w sztuce, Warcino 1978, fotografia z archiwum rodziny
Maria Pininska-Beres, Punkt obserwacyjny zmian w sztuce, Warcino 1978, fotografia z archiwum rodziny

Maria Pinińska-Bereś, An Observation Point of the Changes in Art, Warcino 1978, photo from family archive

„An Observation Point of the Changes in Art” was first realized by Maria Pinińska-Bereś during a summer open air workshop under a slogan „Plein air of questions / Plein air of answers”in Warcin in 1978. Then a reduced form of it was performed a in March 1978 within the exhibition „The sculpture 1978”. The installation was hanged on the wall of the BWA in Cracow (today Bunkier Sztuki). The realization in Sokołowsko in 2014 is the third one. The piece was created with a view to artists, critics, theorist and art lovers.

Maria Pininska-Beres, Punkt obserwacyjny zmian w sztuce, 1978, szkic do realizacji
Maria Pininska-Beres, Punkt obserwacyjny zmian w sztuce, 1978, szkic do realizacji

Maria Pinińska-Bereś, An Observation Point of the Changes in Art, Warcino 1978, sketch for the installation

„An Observation Point of the Changes in Art”

1. Place a pulpit on the tree, drain a rope ladder with rungs painted pink (the higher the lighter shade of pink)

2. Put on the tree by a rope a white plaque with the black title and the pink subscription on it. Put the guidepost  with a signature „To the observation point of changes in art” in the park

M. Pinińska-Bereś Warcino 1978

Plein air of theorists and artist.

Maria Pininska-Beres, Punkt obserwacyjny zmian w sztuce, Warcino 1978, fotografia z archiwum rodziny
Maria Pininska-Beres, Punkt obserwacyjny zmian w sztuce, Warcino 1978, fotografia z archiwum rodziny

Maria Pinińska-Bereś, An Observation Point of the Changes in Art, Warcino 1978, photo from family archive.