Kazimierz Bendkowski
Trained first and foremost as a photographer, Bendkowski works with the moving image to exploit how the viewer’s perception can be influenced through sound and image manipulation. Bendkowski writes: „…the possibilities of the dynamics of the film image and sound have been tested with the use of the following elements: the actor’s account; the changes of focus with a constant recording of space; multiple copying of some recorded spaces; the insertion of static elements into images of high dynamics; the increase of contrast; a fragmentary record of space; the identification of an object and a human being; a fragmentary composition of human body parts; the dynamic editing of all relations”.
